You can increase up to HD 720p in this youtube video for better quality of the images.

Music: Jónsi – Kolniður (jonsi.com)
Camera : Canon 5d mkII

Digital cameras and objetives are not focused on video but some results are great.

Magical Gyomaendrőd, Hungary. :)

Portfolio: weigertimages.com

And for cartoon lovers. Fantasia (1940)

Toccata and Fugue in D Minor
Musical score: Johann Sebastian Bach – Toccata and Fugue in D Minor BWV 565 (Stokowski’s own orchestration)
Directed by Samuel Armstrong
Story development: Lee Blair, Elmer Plummer, and Phil Dike
Art direction: Robert Cormack
Background painting: Joe Stahley, John Hench, and Nino Carbe
Visual development: Oskar Fischinger
Animation: Cy Young, Art Palmer, Daniel MacManus, George Rowley, Edwin Aardal, Joshua Meador, and Cornett Wood

Fantasia begins immediately (there are no opening credits or logos of any sort) with the curtains being opened to reveal an orchestra stand. Musicians are seen ascending the stand, taking their places, and tuning their instruments. Master of ceremonies Deems Taylor arrives and delivers an introduction to the film. Stokowski appears and begins conducting the first strains of his own orchestration of the Toccata and Fugue in D Minor, by Johann Sebastian Bach (originally written for solo organ).
The first third of the Toccata and Fugue is in live-action, and features an orchestra playing the piece, illuminated by abstract light patterns set in time to the music and backed by stylized (and superimposed) shadows. The first few parts of the piece are played in each of the three sound channels (first the right, then the left, then the middle, then all of them) as a demonstration of Fantasound. The number segues into an abstract animation piece—a first for the Disney studio—set in time to the music. Toccata and Fugue was inspired primarily by the work of German abstract animator Oskar Fischinger, who worked for a brief time on this segment. The animation segues back into the live-action footage of Stokowski as the piece concludes, setting the precedent for the rest of the musical numbers.
Although the Philadelphia Orchestra recorded the music for the film (excepting The Sorcerer’s Apprentice), they do not appear onscreen; the orchestra used onscreen in the film is made up of local Los Angeles musicians and Disney studio employees like James Macdonald and Paul J. Smith, who mime to the prerecorded tracks by Stokowski and the Philadelphia Orchestra. Originally, the Philadelphia Orchestra was slated to be filmed in the introduction and interstitial segments, but union and budgetary considerations prevented this from coming to pass.
[wikipedia]

The Skylark (Alauda arvensis) is a small passerine bird species. This lark breeds across most of Europe and Asia and in the mountains of north Africa. It is mainly resident in the west of its range, but eastern populations are more migratory, moving further south in winter. Even in the milder west of its range, many birds move to lowlands and the coast in winter. Asian birds appear as vagrants in Alaska; this bird has also been introduced in Hawaii, western North America, eastern Australia and New Zealand.[wikipedia]

The first one is the elder one, you can notice it on the music and image quality, an it is a time-lapse journey through the Panama Canal from the Atlantic to Pacific Ocean onboard a cruise ship.

The second amazing one is a journey to Hubbard Glacier.

I hope they can inspire you to create new ones to share with us here.

In the following satellite images you can see how the oil slick has evolved since April 21.

The video
Time-lapse video filmed in Antarctica, in and around McMurdo Station and Scott Base by Anthony Powell. Includes shots of auroras and the very rare polar stratospheric nacreous clouds, which form when ozone depleting gases crystallize in the upper atmosphere in the intense cold.
This is just a small sample of an ongoing project to collect time-lapse imagery of Antarctica. He has taken over 1,000,000 individual photos and worn out a number of cameras that make up the collection of footage he has gathered so far over the last 6 years.

Enjoy.

Volcanic ash contains tiny particles of glass and pulverised rock which can damage engines and airframes.

Flights from Europe main airports to the Scandinavian area have been cancelled and trans-atlantic flights were taking a longer route south to avoid the cloud.

Daniel’s astro-timelapse Viaje alucinante (“Amazing trip”) is already a classic.

And his work has been shown several times at NASA APOD and National Geographic (Nov 2008).

The following photos of Daniel, who has kindly granted TBF the use of his images, are part of his career in several institutions like the IAC, SHELIOS, tierrayestrellas.com or cielosdelteide.com.